Encaustic 101: Painting With Wax
5/4–5/5/19 | Maine College of Art, Portland, ME 1 Spot Left
7/13–7/14/19 | Maine College of Art, Portland, ME
Encaustic, meaning “to burn in” in Greek, is an art form dating back to the 5th Century BC. Used as a contemporary medium it is a versatile method of painting with a beeswax based paint and a heated palette. This hands-on studio course will introduce participants to safety, supports, encaustic history and contemporary use while providing demonstrations and opportunity to practice and apply 2D techniques which include application, fusing, color mixing, etching, texturizing, graphite and Xerox transfers, collaging, incorporating found objects, and working with R&F Pigment Sticks.
Layers, Translucency + See Throughs
4/11–4/13/19 | Zijdelings, Tilburg, The Netherlands FULL
5/18-5/19/19 | South Shore Art Center, Cohasset, MA
Layers, Translucency, and See Throughs takes students beyond the basics involved in working with encaustic, offering participants a deeper understanding of how to create paintings that suggest luminosity, depth, and dimension. Emphasis will be placed on creating a sense of light, on the balance and weight of composition, and on expressing meaning through an exploration of accumulating marks, drawings, and image transfers at varying levels. Students will have plenty of time to explore and develop their own personal ideas and visual vocabulary on larger or multiple panels.
Encaustic Workshop: Next Level
6/5–6/6/19 | Castle Hill Center for the Arts, Truro, MA 4 Spots Left
6/8–6/10 | Rhode Island School of Design, Providence, RI
This workshop helps participants re-engage and further their encaustic practice with a focus on developing and expanding visual vocabulary, building existing skills, and challenging themselves to work larger. Additional techniques include manipulating encaustic to create texture and developing translucency and depth between layers. The workshop begins with a quick overview of the basics, including fusing techniques and studio safety considerations. Students are met at whatever skill level they are at and challenged to push and hone skills. Effective ways to handle edges and finishing work are introduced, as well as discussion around proper packing, shipping, and storing work. Students will break and practice free-writing from verbal prompts to further a connection to their work. Emphasis will be placed on navigating the technical and compositional challenges of working larger.
Metal | Metallic: Shimmer, Luster, Depth
3/30–3/31/19 | Maine College of Art, Portland, ME FULL
6/15–6/16/19 | Snow Farm, Williamsburg, MA FULL
7/17-7/20/19 | R&F Handmade Paints, Kingston, NY FULL
11/8–11/10/19 | The Encaustic Center, Richardson, TX
If you love old nails or collect small pieces of found metal and rust, learn how to incorporate these objects into encaustic. If you are drawn to things that glitter and reflect light, this workshop is for you. We will focus on combining metal and metallic paint with encaustic medium to create work that shimmers and has depth. The application of metallic pigment sick and silver and gold leaf will be demonstrated as ways to finish work, add shine, and enhance metal surfaces.
Exploring Mixed Media: R&F Pigment Sticks + Cold Wax
4/27–4/28/19 | New Hampshire Institute of Art, Manchester, NH
This workshop focuses on painting and mixed media techniques using R&F Pigment Sticks. The sticks offer artists a direct painting media that has a gradual drying time, allowing for corrections, changes, and additions to pieces in progress. Students will learn about the qualities of Pigment Sticks that separate them from other oil media and a variety of studio processes that they can be applied to. Topics include: studio safety, proper grounds, brushes and tools, mark making and blending, working over non-traditional surfaces, monotypes, and using oil and wax in combination. Pigment Sticks are a unique painting material that can be translated onto a variety of surfaces and expand your drawing, printing, and painting practices.